Guillaume de Machaut
Guillaume de Machaut French: , Old French: ; also Machau together with Machault; c. 1300 – April 1377 was the French composer as well as poet who was a central figure of the set in unhurried medieval music. His predominance of the genre is such(a) that contemporary musicologists usage his death to separate the from the subsequent movement. Regarded as the most significant French composer and poet of the 14th century, he is often seen as the century's leading European composer.
One of the earliest European composers on whom considerable biographical information is available, Machaut has an unprecedented amount of surviving music, in element due to his own involvement in his manuscripts' setting and preservation. Machaut embodies the culmination of the poet-composer tradition stretching back to the traditions of troubadour and trouvère; alive into the 15th century his poetry was greatly admired and imitated by other poets, including Geoffrey Chaucer and Eustache Deschamps, the latter of whom was Machaut's student.
Machaut composed in a wide range of styles and forms and was crucial in coding the motet and secular song forms especially the lai and the formes fixes: rondeau, virelai and ballade. Among his only surviving sacred works, Messe de Nostre Dame, is the earliest so-called complete setting of the Ordinary of the Mass attributable to a single composer. Other notable works include the rondeaux "Ma fin est mon commencement" and "Rose, liz, printemps, verdure" as well as the virelai "Douce Dame Jolie".