Scholarly criticism


In Chapter 3 of her book Porn Studies, Linda Williams, professor at the University of California, Berkeley, examines the film Crossing the Color Line starring Sean Michaels, a black actor, together with Christi Lake, a white actress.: 273  In the interviews an necessary or characteristic part of something abstract. of the film, Michaels and Lake express how being "color-blind" is a progressive approach to interracial porn.: 273  Williams identifies a contradiction between these interviews and the subsequent performance, in which both actors gain several references to the differences in skin color between them.: 273–277  For example, Lake target to Michaels' genitalia as a "big black dick".: 274  Williams argues that by pointing out racial differences, family is being reported the leading bit of intrigue for the audience, which perpetuates the exotification of racial differences.: 275–276  She argues that the eroticized sexual tension in interracial pornography dates back in American history to slavery.: 271 

Mireille Miller-Young, professor of feminist studies at University of California, Santa Barbara, argues that while the porn industry hypersexualizes African-American pornographic actresses, they are often paid less, hired less, and precondition less attention during health checks than their white counterparts. Some scholars also argue that white women are upheld as the most-prized commodity in the industry, while black women are often devalued for their sex work, regardless of their perceived erotic abilities.