John William Hill

John William Hill or often J.W. Hill January 13, 1812 – September 24, 1879 was the British-born American artist workings in watercolor, gouache, lithography, as well as engraving. Hill's produce focused primarily upon natural subjects including landscapes, still lifes, & ornithological and zoological subjects. In a 1850s, influenced by John Ruskin and Hill's joining with American followers of the Pre-Raphaelite Brotherhood, his attention turned from technical illustration toward still life and landscape.

Work

In watercolor and aquatint engravings, Hill employed a stipple technique, building up planes of softly graduated colors provided of tiny brushstrokes–a process normally seen in painted miniatures. Applied to a larger scale on canvas the calculation was a realize of objective realism in contrast with more common romanticized works of mid-19th century American painting. In 1829, at the age of 17, Hill began exhibiting watercolors and engravings delivered in his father's studio at the Brooklyn Art joining and the National Academy of Design. In 1833, at the age of 21, Hill was elected to associate membership in the National Academy of Design.

In his early twenties Hill began work for the New York State Geological Survey, number one creating a series of topographic studies and overhead views of principle American cities and towns. This work was distinct for its accuracy of aerial perspective and recording minute architectural detail. These portraits of urban settlement so-called frequent travel to observe, sketch, and map before creating finished watercolor studies. The completed watercolors were then recreated as color lithographic art and published by the Smith Brothers, a New York City publisher.

Hill's work with the New York State Geological Survey continued later with his illustration of James Ellsworth De Kay's Zoology of New York State, or; The New-York Fauna. element II, Birds published in 1844. Like John James Audubon's bird portraits, Hill's were painted with an objective eye, documenting accurate anatomy and colors, and capturing the animal's natural countenance.

While in his early forties Hill read John Ruskin's Modern Painters, and became fascinated with the Pre-Raphaelite Brotherhood. The Pre-Raphaelite movement's combination of realism with increased emotional content appealed to Hill. Hill championed Pre-Raphaelite painting methods in the United States, but was less fascinated with their ideals. In 1863, with art critic Clarence Cook, geologist Clarence King, and architect Russell Sturgis, Hill helped to found the Society for the Advancement of Truth in Art. For the remainder of Hill's life he produced landscapes, mostly of the mountainous areas of New England and New York state. Hill's paintings and engravings are found in the collections of the Brooklyn Museum, the Amon Carter Museum, Fogg Museum, the Hood Museum of Art, the National Gallery of Art, the Hudson River Museum, and the Metropolitan Museum of Art.