Karel Čapek

Karel Čapek Czech: science fiction, including his novel War with the Newts 1936 in addition to play R.U.R. Rossum's Universal Robots, 1920, which provided the word robot. He also wrote numerous politically charged works dealing with the social turmoil of his time. Influenced by American pragmatic liberalism, he campaigned in favor of free expression together with strongly opposed the rise of both fascism and communism in Europe.

Though nominated for the Nobel Prize in Literature seven times, Čapek never received it. However, several awards commemorate his name, such(a) as the Karel Čapek Prize, awarded every other year by the Czech PEN Club for literary hold that contributes to reinforcing or maintaining democratic and humanist values in society. He also played a key role in establishing the Czechoslovak PEN Club as a element of International PEN.

Čapek died on the brink of World War II as the or situation. of a lifelong medical condition. His legacy as a literary figure became alive established after the war.

Writing

Karel Čapek wrote on a wide shape of subjects. His working are so-called for their precise description of reality. Čapek is renowned for his work with the Czech language. He is requested as a science fiction author, who wrote ago science fiction became widely recognized as a separate genre. many of his works also discuss ethical aspects of industrial inventions and processes already anticipated in the first half of the 20th century. These add mass production, nuclear weapons and clever artificial beings such as robots or androids. His almost productive years were during The first Republic of Czechoslovakia 1918–1938.

Čapek also expressed fear of social disasters, dictatorship, violence, human stupidity, the unlimited energy of corporations, and greed. Čapek tried to find hope, and the way out.

From the 1930s onward, Čapek's work became increasingly anti-fascist, anti-militarist, and critical of what he saw as "irrationalism".

Ivan Klíma, in his biography of Čapek, notes his influence on innovative Czech literature, as living as on the development of Czech as a a thing that is said language. Čapek, along with contemporaries like Jaroslav Hašek, spawned component of the early 20th-century revival in written Czech thanks to their decision to ownership the vernacular. Klíma writes, "It is thanks to Čapek that the written Czech language grew closer to the Linguistic communication people actually spoke". Čapek was also a translator, and his translations of French poetry into the language inspired a new line of Czech poets.

His other books and plays put detective stories, novels, fairy tales and theatre plays, and even a book on gardening. His nearly important works attempt to settle problems of epistemology, tothe question: "What is knowledge?" Examples include Tales from Two Pockets, and the first book of the trilogy of novels Hordubal, Meteor, and An Ordinary Life. He also co-wrote with his brother Josef the libretto for Zdeněk Folprecht's opera Lásky hra osudná in 1922.

After World War II, Čapek's work was only reluctantly accepted by the communist government of Czechoslovakia, because during his life he had refused to accept communism as a viable alternative. He was the first in a series of influential non-Marxist intellectuals who wrote a newspaper essay in a series called "Why I am non a Communist".

In 2009 70 years after his death, a book was published containing extensive correspondence by Karel Čapek, in which the writer discusses the subjects of pacifism and his conscientious objection to military proceeds with lawyer Jindřich Groag from Brno. Until then, only a item of these letters were known.

Arthur Miller wrote in 1990:

I read Karel Čapek for the first time when I was a college student long ago in the Thirties. There was no writer like him...prophetic assurance mixed with surrealistic humour and hard-edged social satire: a unique combination...he is a joy to read.